![]() ![]() It was just good to look back to where we’d come from five years earlier, and what we’d gone through to try to grow the scene. That was a real turning point – the fact that these two really major events had happened on the same day, and both being really successful. ![]() Maze Before I Let Go This song is pretty much a staple in Black. They put on an event called Northern Exposure, with Sasha and Digweed, and they had similar numbers. Wobble This song starts the party up proper-like regardless of the age. ![]() The interesting thing that happened is that Mark James by this stage had a company called Future Entertainment. To dance, take off your shoes and feel the fine sand between. So we had about 3500, and at that time it was about the biggest event of its type to date. Of course, also in the outdoor area a DJ spoils the party people with the finest techno sounds. you need to rest Dilated, go ask your people how I leave ya With your three CDs, nobody sees, when they released. I brought in professional skateboarders and skateboarding ramps, we had live graffiti, live street art, breakdancing, and a lot of the kind of stuff that’s pretty commonplace at festivals now that had never been done before – certainly not in this country. I produced a very large warehouse party called Where The Wild Things Are, which featured Jeff Mills in his first performance in Melbourne, on his first Australian tour. And we featured Norman Jay, the Propellerheads, the Wiseguys. We put on an event called Vibes On A Summer’s Day, which was with a Sydney promoter called Joe 90. Richard Maher : 1997 was a really good year. A gigantic legal warehouse venue that featured the Southern Hemisphere’s largest dancefloor entire parties broadcast on community television lavish art and design massive gatherings at the Docklands 3RRR radio shows like Rhythmatic and Beat On The Street a decidedly punk and anti–commercial spirit distinctly local dance moves like the Melbourne Shuffle Detroit legends like Derrick May, Claude Young and Carl Craig making the city their second home – all of these things combined to make the Melbourne rave scene in the ’90s a unique and memorable force in the world. The mix is an exciting one to groove to with good music selections. DJ Maze & DJ Mxtreme drops the mixtape of the Saturday Night Party from Big Brother Naija House Season 7 Level Up. It may have been isolated and relatively small, but the Melbourne rave community was world renowned for its intensity, passion and forward-thinking creativity – it attracted many of the leading lights from techno capitals like Detroit and Berlin to spend time and vibe with the people. House / EDM / Underground / Club Versatile DJ for dance parties, nightclubs, music festivals. Don’t miss this new mixtape-tagged BBNaija S7 Pepsi Party Mix from DJ Maze and DJ Mxtreme. Far away from the epicentres of the house and techno revolution in the US and the burgeoning rave culture in the UK, and quite removed from Sydney’s sunshine and tourism, the working class of Melbourne built their own gritty and fiercely independent party scene. ![]()
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